Here’s a story I played with a bit, and sent on submission to feel out the waters. I did a couple of things I never do here, which was play with purple prose and perspective. It didn’t find a home, but I enjoyed writing it since I had Jareth in my head after just having watched Labyrinth.
The Goblin King
The goblin king sat atop an outcrop of stone perched on a hill, his narrow blade planted point-first in the earth between his booted feet, the edge dripping crimson. Carrion birds wheeled and called above him, a cacophony of misery echoing from ribbed throats, an eyeball pierced on the end of a gore-encrusted beak, its optic nerve fluttering in the breeze with the flap of ebon wings. Arrayed around him, the remains of a once-grand army as though a whirlwind had swept through their ranks, bodies broken, severed, exsanguinated.
He held his head as one who has suffered a loss, as one who has come to the end of a long road of exhaustion, and there, found only more road. He did not weep though the ground doubled and trebled before him and the carmine drops on his blade blurred to the point of blossoming into petals.
And yet, and yet, the sound of footfalls, of a light step avoiding rigid steel and limp flesh. Of breath held to keep out the scents of offal and shit and the coppery tang of blood spilled by the liter, by the gallon, by the barrel. The rasp of breath sucked in, the stifled cry as vision met the cloudy eyes of the dead and saw only the uncertainty of an eternity not promised. Then, the end of the approach. A stillness in the air, the screaming quiet of anticipation as the visitor screwed up his courage to speak.
“Speak,” the king commanded, for command was his province, the land he had always known.
The voice atop the blackened boots, boots that had seen summers and winters in the ash of many a hearth, perhaps with quill and parchment, perhaps while tending a pot, spoke, low and hesitant, a thing from the underbrush that fears the sun.
The goblin king gestured to a stone similar to the one he sat on, and the stranger settled, not comfortably, but as comfortably as one can afford when perched on granite and faced with an embodied force of nature. When he had settled, the king looked up and regarded the man. Plain face, a dusting of whiskers across a straight jaw. Thick nose, bright eyes that shone with, if not intelligence, curiosity.
“I would ask you the same,” the king replied. “How is it you’ve survived…” he gestured to the surrounding carnage. An indication. An indictment.
The man shrugged. “I wasn’t here. I saw it though. The light. Heard it. The sound.”
The goblin king nodded and shifted on his stone. “Then, let me ask – are you mad?”
“How do you mean?”
“You saw what happened here and decided to investigate?”
“I’m a curious sort. Besides, it seemed to be over.” He looked around, though not at the dead. Instead his gaze sought the abstract. The silence in the aftermath. “Was I wrong?”
The king shook his head and looked up, past the avian storm that gathered. The sun still stood high, a vast unblinking eye. He addressed the man.
“I have time.”
“Questions. You have curiosity, no? Let me sate it.”
The king shrugged. “We shall see.”
The man nodded and pulled a case from his side, unrolling a sheaf of parchment, tipping free an inkpot and a quill. He looked around, and with a demeanor that practically vibrated with unease, pulled a board shield from under a dead man, the body squelching with movement. He grimaced, and then moved quicker, needing to distance himself. He stretched the parchment out and laid it across the board, then dipped the quill and glanced up at the king.
“Tell me a story.”
“What kind of story?”
“People will want to read it. To know you. To know this.”
The king sighed and tilted his head back, trying to remember. Memory floated at the edge, vagaries, a chiaroscuro of thought. He tilted his head back, gaze rolling down his nose at the scribe like water off a hill. Quizzical, concerned. The emotions roiled and mingled, dripping from his lips.
“Do you remember your mother?”
The scribe blinked, confusion writ on his face plain as the ink on his fingertips. “Yes, a stout woman. Severe at times. Then, who wouldn’t be, with muddy boots on rushes, six children, and a gruff husband. She was a wonderful cook. Sweetbreads, stew…” he trailed off.
“Interesting. I remember nothing. Well, not nothing. Perhaps… I don’t know that she was ever there in the traditional sense. Nor that she was stern. But I have mementos of her. The scent of bog peat in the summer. The whine of gnats in heat. The green throat of bull rushes pulling toward one another, reeds rubbing, chirping a symphony to the creak and croak of toad and frog.”
The scribe frowned even as his quill nib scratched against the parchment. Scritch scritch scritch. The utterance of print, the lexicon of language, each moment measured in quarts and distance. He thought about that thought, and decided if he had tried to write something worse, he couldn’t. This was it. Purple prose shitting itself against the wall, letting the words drip down like fly-ridden effluvia. He grunted once and scribbled, letting the ink blot out the words, obliterate the ephemeral bullshit. He could do better. He began again.
His mother was a swamp.
Fuck no. Another blot. This one nearly tearing the paper. He looked up apologetically, then motioned for the king to continue.
“My father? Very well. My father. Dry. Distant. Harsh. Hot. Rough. A hundred, a thousand adjectives, all too small or too large to fit him. Too wrong, and yet almost right.”
Better, the scribe thought. Filter out the frippery. He thought back to the beginning, thinking he would need to revise. He kept writing, the quill a small blur. He raised his free hand and spun his fingers, insisting the king go on, insisting on the continuance of story, the uninterrupted flow of idea.
“My childhood?” The king harrumphed, a sound of discontent. “What of yours?”
The scribe looked up, blinked. “I spent the majority of my early days weeding plots and cutting thatch. Sometimes, when the harvest finished, grain stacked and milled, and it was too soon to hang meat to dry, I played with the farm dogs, sometimes ran to the market and spent what few coins I had on paper and charcoal. My father nearly took my head off when he found them. He’d taught us letters, but not that they were much use beyond knowing how to read the proclamations and keep our heads down. He was determined to have more thatchers, more herds, more row workers. I was not.”
The king nodded, the great white mane of his hair bobbing. “I played. In caves and trees, in stone labyrinth and mossed battlefield. It wasn’t for lack of work, but lack of guidance. It was there I learned my first scraps of sorcery – how to bleed a man from his pores, how to twist his bones so he looked like a dog when viewed in the right light. How to chase the small dragonflies when they came near, and the way their thoraxes crunched under your molars.”
He leaned closer, the hilt of his blade tipping to one side, coming to rest against his thigh. “Do you wonder, dear man, how you and I diverged so?”
The scribe shrugged. “The fae are what they are.”
The king waved it away. “A useless tautology. I assumed a man of words would know better. We diverged because we wished it so. Would you have the strength to survive in my world? A wildling even among wild things? I would have withered in your world. Survived, yes, but never lived. You make your own reality, scribe.”
“You’re suggesting I wanted to be… normal?”
The king shrugged. “I’m suggesting you survived. Whether you lived or not is of your own mind to make up.”
“Interesting.” The scribe took a breath and frowned at the words he’d written. Clearer, cleaner. The king’s words stuck with him. Had he lived? Would he have touched magic and brought it into his breast in lieu of meat or love? He shrugged, muscle playing with its own landscape, and put quill to parchment.
“How did you become king?”
“How does anyone become king? Deceit, divine right, and inbreeding.”
The scribe raised an eyebrow, giving the king a look that said perhaps you’ve shared too much. For his part, he had moved on, head tilted toward the sun, perhaps gauging the time, perhaps trying to remember something once important, but now relegated to insignificance in the face of time.
“We have little time left. You may ask me one more,” he said.
The look in his eyes was predatory, the glint of light in the pupils like that of a hawk ready to strike, anticipation a hooked talon. The scribe screwed up his face, chewed on the tip of the quill. It had to be good. Lachlan’s press would pay by the word for the account of the stranger who had laid waste to Renfen’s entire army.
The scribe looked around, at the bodies that had begun to bloat in the sun, fat toadstools of flesh putrefying, ready to spill their red and glistening spoor. His gorge rose, a thick tide of boiled oats and greasy sausage, and he choked it back, looking away. How does someone do this? He glanced again, just from the corner of his eye, the look of a man who has seen a dangerous thought, and wonders if he looks at it full, would it cut his mind? Would it hollow his thoughts and lay him out in the sun with all these others, gibbering, until the grave-diggers came and found him playing with himself in the blood-dewed grass?
His eyes flicked back to the king, to the perfectly coiffed hair, the perfect vest and leggings, the codpiece that exaggerated more than just words. The king quirked a smile at the scribe as he caught him looking, and the scribe blushed. How?
No, the voice in his head answered, that part that when looking over the words later, corrected the incorrect, no. Why?
“Why?” The scribe echoed the word, letting it tumble from his lips in place of the vomit, and the king smiled this time.
“Finally, the heart of the matter. The marrow of the bone. Why.” He sat back, and the blade slipped to the ground, unnoticed. “Because. Because I can.”
“Surely there’s more?”
“Does there have to be?”
“For a sane man, for a man who wants to make sense of the words written here, of the world he describe, yes.”
“Then write this: there was a girl. Or maybe a boy. A promise. A lie. There was a death, and vengeance. There was a love unrequited. There was a dragon, and a sorcerer, and a crone. There was a fairy and a goblin, one pure, one corrupt. There was a labyrinth and a child. There was a battle. A kingdom lost, and an empire found. I was a king. I am a king. And I will do what I gods. Damn. Well. Please.”
While he spoke, dread wormed its way into the scribe’s heart, moving deeper and deeper until it sat entrenched like a barbed arrow. His eyes darted to the goblin king’s blade, and as every dismissal dripped from his lips, he forgot to write, forgot to put down the truth he saw. These were the words of a tyrant. He leaned forward, the king seemingly forgetting him in his rant. His fingers trembled, his arm ached, and then, the sword was in his hand, the grip both cool and gritty with dried blood and sand.
He raised the blade, intending to stab it into the king’s heart, to end the coming horror. Words tumbled from his lips, a short squall in the blazing heat of the king’s conviction.
“You’re mad. Madder than any who came before. A coming terror.”
And then the king stood above him, hand outstretched, and he saw the truth. Reality is what you make it, and the king had made his own. No simple warrior stood before the scribe, but a being that encompassed all things and rejected his. Neither and both. Terrible and frightening, powerful and irresistible. The scribe trembled, and the tip of the blade faltered, dipped, dipped… and ended in the dirt. The king took the blade from him, not ungently. He knelt next to the scribe, whose eyes had filled with tears. He spoke soft, his voice honeyed mead in the scribe’s ears.
“You can call me mad, a terror. I suppose those are true things in a way. Mercy for those who need it may seem like madness from the outside to those who do not desire succor. But I have sat to the side for so, so many years while men ground others to dirt, while they subjugated others at a whim, for money, for the color of their skin, for the way they speak, or the things they worship. You have letters and fine food and the strength of conviction. You have absolute conviction that what you do in the now is right, and yet cannot see past the horizon.
And yes, I provide mercy. I feel the question trembling on your lips. I relieve you of your burdens, of your convictions. I bring you the clarity of freedom.
You can write this, then, if it eases your heart: I do this for love. Love drives us all, and even love led these men to this field. Love led you here, did it not?”
The scribe, turning the words over in his head, nodded in agreement. He loved few things as he loved words. It had led him down paths both bright and dim, from under his family’s sheltering arms, from the beds of others who would have him as his own. He wandered still, searching for a specific love, and in wandering, found it – a country where rivers of ink flowed across a vellum landscape.
He picked up the scribe’s quill and pressed it into his hand. “Love will make or break a man. Love may shatter hearts and mend souls. Love can raise a people up or cast them into the gutter. Nothing worth doing is worth doing without it. I do this because I love.”
He leaned in and kissed the scribe just behind the ear, his lips soft and warm, and his breath smelling of clover. Then he straightened and sauntered away, leaving the scribe alone. He listened to the buzz of flies on the dead, a symphony of one-string violins, and then crumpled the paper, tossing it to the side, where it came to rest in a pool of clotting blood, the parchment pulling in the red until it blossomed like carnations across the rumpled surface. He watched it bloom, and then pulled a new sheet from his case, dipped his quill, and wrote:
The goblin king sat atop an outcrop of stone perched on a hill, his heart full of love.